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This Teenager Got Raped By 60 Year Old Stepfather, Forced To Live On The Street

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Tucked somewhere inside the expansive Shari Estate on the Iyana Ipaja – Ipaja Road in Lagos is a small wooden kiosk located around the popular Pako Bus Stop with ‘FOOD IS READY’ boldly written on it.

Any passer-by could easily mistake it for a mini food canteen, but on a closer look, it looks like an abandoned kiosk, stocked with some dusty luggage. But strange as it may seem, this kiosk is home to 14-year-old Tomilola, her brother, Rahman, 10 and their 42-year-old mother, Felicia (not real names).

The three of them have had to settle for this kiosk as their abode since Tomilola was allegedly raped by her stepfather, 60-year-old Joseph Salako, and they were constrained to leave the man’s house. Since there was no money to get an accommodation, they had to make do with the abandoned kiosk.

Apart from the kiosk’s appalling exterior, the interior was decorated on both sides with dusty luggage, including an old wooden bench and a torn mat, on which they all sleep every night.

But life had not always been like this for them. In July 2015, Felicia caught her husband, Tomilola’s stepfather, moment after raping the teenager. And so, their woes began. After she raised the alarm, they were allegedly sent packing by the suspected rapist and they have been living on the street ever since.

Tomilola who is a sickle cell patient said her stepfather had formed the habit of sleeping with her at any slight opportunity and threatening her never to divulge the secret or face death. She recalled that it started one afternoon when she came back from school and went to greet her stepfather upstairs when he lured her and forced himself on her.

“My mum had told me to always go and greet him anytime I got home. So, when I came back from school, I went to greet him. I was about leaving when he called me and said he wanted to tell me something that I must not tell anyone.

He said he wanted to sleep with me. I refused but before I could run away, he carried me and took me inside. He tore my panties and ‘did it’. I was crying because it was paining me but he didn’t stop. I tried to shout but he covered my mouth. When he finished, he cleaned my legs and his ‘thing’ and warned me that he would kill me if I told anyone.”

For the fear of the perceived death, Tomilola refused to tell anyone about the incident. Even when he allegedly raped her repeatedly, the fear would not allow her talk to anyone about it, until the day he was caught.

“That was not the only time he did it. At other times, he would call me and tell me to ‘suck’ him and because I usually refused, he would slap me. Sometimes, in the midnight, he would come down from the bed and ‘do it’ with me. If I tried to shout, he would cover my mouth and ask if I was ready to die. I would have to endure the pain and just keep quiet.

The day my mum saw us was the fifth time. When my mum came in, he was already doing it but when he saw the ray of light from the torch my mum was holding, he quickly stood up and went to block her. He would always promise to buy me anything I needed. We had to leave because of the incident.”

Felicia had lost her husband in 2008 in a motor accident after which she married Salako and moved in with him together with her two children, both of whom are sickle cell patients.

Since the rape incident happened in July, Felicia and her two children, excluding the eight-year-old girl she had with the man, have had to move out of Salako’s house, to avoid the fulfilment of the threat allegedly handed down by Salako’s children, should they report the matter to the police.

Pained by what happened to her daughter, Felicia defied that threat and reported the matter at the Gowon Estate police station. Even though Salako was arrested, he was allegedly released the following day because he promised to pay N50,000 for ‘damages’, the idea Felicia said she was constrained to accept because of the threats by Salako’s children and the need to raise money to take care of the children.

Not only that, she said one of Salako’s daughters took her to the State High Court premises at Ikeja and made her swear an affidavit that she would not press charges.

“They took advantage of the fact that I am not literate,” she said.

Felicia could barely avoid breaking down in tears as she explained how fate had brought them to their present situation.

She explained that she used to have a shop in front of her (new) husband’s house where she was doing a dry-cleaning job and that after closing from the shop, usually in the night, they would all go in and sleep.

On the day of the incident, she said her little boy was asleep in the shop and because of the cold, she sent her daughter to go into their room upstairs and bring a cloth to cover the little boy, who was sick. She said she became unsettled when the girl did not return on time. She continued,

“I was waiting for her to return with the cloth so I could cover her brother, but when I didn’t see her, I took my torch and went upstairs to see why it was taking her too long. When I entered the sitting room, the other children had slept and everywhere was quiet.

So, I went towards the room and suddenly, my husband came out of the room naked and blocked the entrance with his hands. I asked him why he was blocking me but instead of answering me, he asked what I was looking for. So, I passed under his hand to see what was happening. To my greatest surprise, I found my daughter also naked on the floor. I saw my daughter’s panties close to the entrance. When I asked her what happened, she was about explaining when he slapped her and told her to keep quiet. I couldn’t hold it to myself, so I screamed and started shouting.

His other children then came out and told me not to make noise about it so I wouldn’t disgrace their father, but I couldn’t keep it to myself. I slept in the shop with the two of them that night.” After series of threats from Salako’s children, some neighbors who later learnt about the incident, advised her to make a formal report at the police station two weeks later.

“I went to report at the Gowon Estate Police Division. Because of the way the man always pestered me for sex, I used to pray that God should help me so he could reduce his demands. So when he stopped asking, I thought my prayer had been answered not knowing that he had transferred his urge to my daughter.

“I didn’t know he could do that to my child even when he is not the father. This is the man I was married to for nine years. These days, anytime I come across him or his children, they keep threatening me.”

Stuck in frustration and utter depression, Felicia has been taking care of her children with the little money she gets when she helps people to wash their clothes, which she does occasionally.

“I’m willing to work but there is none,” she said. Tomilola has also been helping in sustaining the family with the little she earns from a canteen where she washes plates.

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‘They wanted blood’ — J Cole reveals why he avoided Kendrick Lamar beef

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J Cole, the US rapper, has finally revealed why he bowed out of a feud with colleague Kendrick Lamar.

Last year, Cole, on the song ‘First Person Shooter’, suggested he, Drake, and Lamar were the current “big three” names in hip-hop.

Lamar, however, disagreed with Cole. In his verse on the song ‘Like That’, he said there was “no big three — it’s just big me”.

He also called Cole’s best verses “insubstantial” and claimed he was the “Prince to Drake’s Michael Jackson”.

In response to Lamar, Cole released a song titled ‘7 Minute Drill’, saying Lamar has “fallen off like The Simpsons”.

On the track, he also described Lamar’s latest album ‘Mr. Morale & The Big Steppers’ as “tragic”.

In April, Cole apologised to Lamar for his “lame” and “goofy” response. He also said he had gotten “a thousand missed calls” and felt pressured to write a comeback.

In a recently released song titled ‘Port Antonio’, the Dreamville rapper defended his decision to step back from a rap battle with longtime friend Kendrick.

In the five-minute track released on Wednesday night, Cole argued that the people promoting the controversy wanted “blood” and publicity to profit from it.

“I pulled the plug because I’ve seen where that was ’bout to go / They wanted blood, they wanted clicks to make their pockets grow / They see this fire in my pen and think I’m dodgin’ smoke / I wouldn’t have lost a battle, dawg, I woulda lost a bro / I woulda gained a foe,” he raps.

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Phyno rejects Olamide comparison, says they’re brothers

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X (formerly Twitter) users every so often pit artists against each other to drive engagement or ignite a popularity contest.

On Friday, October 4, 2024, a user with the handle @TheDamiForeign posted images of Nigerian indigenous rappers, Olamide and Phyno with an open-ended question thrown to the public.

The post read, “When it comes to rap, who’s the GOAT? Phyno, Olamide.” Not long after, it began to attract comments from netizens. Some argued that both acts are relevant and phenomenal in their own way. Others pitched their tent with either of the two.

However, the ‘Do I’ crooner was displeased on seeing the post and wasted no time in expressing his disapproval.

Responding to the post, he wrote, “Yo!!! Tf is wrong with u guys for God sake .. stop putting me up against my brother or anybody else for that matter . Do your banter with someone else .. na ala adi agba unu.. wtf.”

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Wizkid, Davido’s feud, strategy to remain relevant, says Portable

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Controversial Nigerian singer, Portable, has weighed in on the ongoing feud between music stars Ayodeji Balogun a.k.a Wizkid and David Adeleke a.k.a Davido, accusing them of using their rivalry to stay relevant in the industry.

The recent clash between Wizkid and Davido began on October 1, when Wizkid posted a cryptic tweet that many interpreted as a dig at Davido this was after Davido teased a snippet of his first single for 2024.

The feud escalated quickly, with both artists exchanging insults and personal attacks on social media.

Wizkid had also planned to release the first track of his highly anticipated “Morayo” album on the same day.

In a twist, Davido’s associate, Kayode Yajaur, popularly known as Black Tycoone, took a jab at Wizkid, seemingly mocking the delay in his album drop. He tweeted, “Tell your Daddy to drop an album already.”

Unfazed, the Grammy award-winning singer responded by throwing shade at Davido’s camp, writing on X, “P***y boys dropping mid again,” before adding, “Una don tire! Make una go rest small!”

Although Wizkid refrained from directly naming Davido, fans were quick to interpret the post as a clear shot at the ‘Fem’ crooner.

In an Instagram post, Portable criticized the duo saying “using your brother to shine” instead of focusing on their own music.

He opined that their songs are no longer selling well, and they are relying on social media drama to promote themselves.

“Don’t use your brother to shine, shine yourself. Una songs no dey market again, na fight una dey use do promotion,” Portable wrote.

The singer also distanced himself from the feud, stating that he is not aligned with either Wizkid or Davido. “Me, I no dey for Davido. Me, I no dey for Wizkid. I dey for myself. That’s why I dey for those who dey for me,” he added.

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Bodex F. Hungbo, SPMIIM is a multiple award-winning Nigerian Digital Media Practitioner, Digital Strategist, PR consultant, Brand and Event Expert, Tv Presenter, Tier-A Blogger/Influencer, and a top cobbler in Nigeria.

She has widespread experiences across different professions and skills, which includes experiences in; Marketing, Media, Broadcasting, Brand and Event Management, Administration and Management with prior stints at MTN, NAPIMS-NNPC, GLOBAL FLEET OIL AND GAS, LTV, Silverbird and a host of others

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