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Read Eminem’s Touching Tribute To Tupac Shakur: ‘His Ability To Touch People’s Lives Was Incredible’

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Recently we learnt of how Eminem had touched the life of a young fan of his, which he felt inclined to do because someone also touched his life once.

It was many people, but one of them was Tupac. Eminem has always idolised him, and recently Paper Magazine gave him the chance to put that into writing when he was asked to pen a tribute piece to him.

 

Eminem paid tribute to the lyrical genius of the man, the ability of his music to invoke emotions and transcend time. To Eminem, and many other people, this was one of the all time greats.

“His spirit spoke to me because it was like you knew everything that he was going through, especially when he made ‘Me Against the World’. You just felt every aspect of his pain, every emotion: when he was happy, when he was sad. His ability to touch people’s lives like that was incredible.” Eminem wrote.

Read the entire tribute piece below, from Paper

The first time I ever heard Tupac was his verse on “I Get Around” with Digital Underground. I was 18 or 19 years old and I remember thinking, “Who is this?” He stood out so much. Once I heard that, I got his first album, 2Pacalypse Now. I saw the video for “Brenda’s Got a Baby” and I remember thinking, “Holy sh*t.” By the time he got to Me Against the World, it was him at his pinnacle. He’s off and running. He knows what he wants, and he’s figured out how he wants to be and how he wants to sound — everything. I would probably put that up against anything as far as a classic hip-hop album goes.

He was taking things further than a lot of rappers at the time — pushing it to the next level as far as giving feeling to his words and his music. A lot of people say, “You feel Pac,” and it’s absolutely true. The way he chose which words to say with which beat was genius; it’s like he knew what part of the beat and what chord change was the right place to hit these certain words… to make them jump off the track and make you feel what he was saying. Like, listen to “If I Die 2Nite.” Whatever he was rapping about, it was urgent. If it was a sad song, it’d make you cry. But there were a lot of different sides to him: fed-up, angry, militant, having a good time. His spirit spoke to me because it was like you knew everything that he was going through, especially when he made Me Against the World. You just felt every aspect of his pain, every emotion: when he was happy, when he was sad. His ability to touch people’s lives like that was incredible.

The school I come from growing up, we spent a lot of time studying rappers, everyone from N.W.A. to Public Enemy to Big Daddy Kane to Kool G Rap to Rakim to Special Ed, taking all these bits and pieces from each one. Tupac was the first one to really help me learn how to make songs that felt like something.

He was so versatile — if you weren’t in the mood for what he was doing on this song here, he’s got something for you over here. He covered such a broad perspective and there were so many different sides to him, but the best part about him overall was that he was a human being. He would let you see that. I used to be fascinated with his interviews like, “Yo, what he’s saying is so true.” He would also be able to trump people who were interviewing him when they would hit him with hard questions — it was incredible. He was a superstar in every aspect of the word. You just wanted to know that guy. Like man, I wanna hang out with Pac.

I don’t know if he was talking to Arsenio [Hall] but I remember him saying something to the effect of “[it’s like] people standing outside watching through the window at a bunch of mother**kers throwing food around and having a party and everybody’s hungry outside and they’re seeing through the window and after a minute, you got people out here singing, ‘We’re hungry, we’re hungry. Let us in, let us in.’ And the next minute when no one’s listening, it’s like ‘Alright, we’re kicking the door down, coming through, picking the lock, blasting.’” When he was giving those analogies, they were incredible. It was almost like he was writing songs when he was doing interviews.

When his mother, Afeni (Shakur), let me produce one of Tupac’s albums — the Loyal to the Game album — I wrote her a letter thanking her for letting me do it. You wouldn’t be able to tell the 18/19-year-old Marshall that he would ever be able to get his hands on some Tupac vocals and have that opportunity. It was such a significant piece of history for me and so much fun. I’m like a kid in a candy store; going nuts with the fact that I’m putting beats under his rhymes. Regardless of how good a rapper someone is, it’s easy for things to eventually get dated. But when you make songs like Tupac did, songs that feel like something, that feeling never goes away. I can put “If I Die 2Nite” in and want to fight somebody the second it comes on. That’s the kind of emotion he sparked. I could put “Dear Mama” in and damn near be in tears. He was just so good at evoking emotions through songs and I picked up so much from that. Biggie had that as well. It was that same kind of thing… he was so good at putting the right words and music together. I would have a hard time believing that they didn’t know what they were doing when they were putting certain words on certain chords of the beat. I would have a hard time believing that it was all accidental. It was true genius.

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AFRIMA mourns Mohbad, call for institutions in African music industries

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All Africa Music Awards, AFRIMA, has emphasized the importance of regulating and institutionalizing the music entertainment industry as it joins millions of African youths and music fans to express grief over the demise of Nigeria’s singer, Mohbad, (real name Ilerioluwa Oladimeji Aloba).

Mohbad died on Tuesday, September 12, 2023, in an event that has generated massive public reaction.

The 27-year-old budding music star also known as Imole (Light) was a young and very promising artist whose creativity and amazing gift have made him produce highly thrilling lyrics that have warmed the hearts of millions of fans across the world.

The President and Executive Producer, AFRIMA, Mike Dada, in a statement, while lamenting that Africa has lost a promising talent in its growing music industry in a shocking manner, noted that institutionalization of the music/entertainment industry remains a top priority in curbing the unprofessional practices that have been existing within the industry in Africa.

He said; “On behalf of the International Committee of AFRIMA, we condole with Nigeria’s music industry, parents and fans of Mohbad, over his painful demise. The death of Mohbad is a tragic event that has left us all deeply saddened. Our thoughts and prayers are with the family and loved ones of the deceased during this difficult time.

With his demise, Africa has lost a promising talent in our growing music and entertainment industry. We pray God to grant him eternal rest and grant his parents, family, and teeming fans the fortitude to bear his irreplaceable loss.

AFRIMA is spearheading efforts to mobilize stakeholders in the creative industry in Africa, with a focus on Nigeria, to establish institutionalized operations and regulate the music entertainment industry.

It is necessary to have a law that regulates the music industry to prevent it from becoming an unregulated free-for-all, as currently, the entry requirements are low such that anyone can just wake up and establish a music record label.

To address this issue, African countries must establish a Music Institute to certify practitioners regularly.

AFRIMA urges stakeholders, including relevant government officials and agencies, artists, record labels, A&R, producers, promoters, artiste’s managers, brands, songwriters, DJs & video vixens, video directors, equipment production and rental companies, publishing companies, streaming service companies, entertainment lawyers, royalty companies, choreographers/dancers, entertainment/music journalists and media, culture and music enthusiast, other supporting professionals: cameramen, editors, make-up, hairstylist, costumiers, among others, to participate in this crucial process. We urge stakeholders to submit their proposed legislation for review and consideration.”

AFRIMA’s concerns echo the call for justice for the late musician whose passing has created suspicion of foul play. The Nigerian Police are currently investigating the circumstances surrounding Mohbad’s death as the public keenly awaits the outcome.

Musicians and celebrities from Nigeria and internationally including Kodak Black, Lil Durk, and Meek Mill have all paid tributes to the late Street Hop sensation whose music has enjoyed a resurgence in the streaming platforms in Nigeria.

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‘I regret tattooing your face on my lap,’ Mandy Kiss berates Naira Marley

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Nigerian skit maker and brand influencer, Mandy Ayomiposi Oluwada, popularly known as Mandy Kiss, has said she regrets tattooing the face of rapper Naira Marley on her thighs.

This comes following the death of Mohbad, a former signee of Naira Marley with allegations linking the Marlian boss to the sudden death of the singer.

Reacting via her Instagram story, Mandy expressed regrets for idolising the Marlian Music boss.

She wrote, “I regretted the day I tattooed ur face on my laps, Naira Marley.

“You’re a big m*ss.

“Best day of my life is June 30 d day I erased ur face.”

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Burna Boy postpones South Africa show, says production team are yet to be paid

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Grammy-award-winning Nigerian artiste Damini Ogulu, aka Burna Boy, has canceled his highly anticipated live concert due to the promoters’ inability to fulfill their contractual obligations.

Burna’s live concert was scheduled for September 23, at the FNB Stadium in Johannesburg, South Africa.

Buran’s statement is coming after Ticketing company, Ticket Pro, announced Wednesday that the highly anticipated show, is being postponed due to a ‘lack of ticket’ sales, among other reasons.

“We regret to announce the postponement of the highly anticipated Burna Boy concert scheduled to take place at FNB Stadium, Johannesburg on 23 September 2023.

“The concert will now take place on the 16th of December 2023.

“This decision was not made lightly by the promoter and comes as a result of careful consideration and assessment of various factors, including the lack of ticket sales,” read the statement by Ticket Pro.

Spaceship Management, Burna’s management company, has since reacted to this claim by Ticket Pro, stating the concert promoters’ Ternary Media Group’s failure to fulfill their financial, production, and technical obligations to the team.

“Sadly, it is with great regret that we must inform you that despite my team’s effort, the show in Johannesburg on September 23rd, will be canceled due to the inability of the promoters to fulfill their contractual, financial, production, and technical obligations.

“Production vendors have still not been paid and as such, it is evident at this point that the agreed production standard needed for this venue size can not be achieved.

“We hereby state that all ticketing companies must ensure that is refunded in full.

“Deepest apologies to all fans, looking forward to seeing you all soon,” their statement read.

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