Entertainment
2021 MTV VMA: Wizkid bags two nominations for ‘Brown Skin Girl’
Wizkid, Nigerian singer, has snagged two nominations at the 2021 MTV Video Music Awards (VMA) for his role in ‘Brown Skin Girl’, a 2019 song by Beyonce.
The project, which is a track off ‘The Lion King: The Gift’, Beyonce’s hit album, was nominated for the ‘Best Cinematography’ and ‘Best R&B’ categories respectively.
Beyonce had last year released the visuals for the project which also featured Blue Ivy Carter, her first daughter with Jay-Z, and Saint JHN.
Wizkid has snagged several awards and recognition for featuring in the song including his first-ever Grammy award in March.
Here are your 2021 nominees for Best R&B!
???? @Beyonce @wizkidayo @SAINtJHN
???? @silksonic @brunomars @AndersonPaak
???? @chrisbrown @youngthug
???? @giveon
???? @HERMusicx @chrisbrown
???? @szaYou can VOTE NOW at https://t.co/jpKQNi7sQk for your top pick! pic.twitter.com/KyA0iXGkqM
— Video Music Awards (@vmas) August 11, 2021
The development comes as Shatta Wale was also nominated for the ‘Best Art Direction’ for his appearance in ‘Already’, another track in Beyoncé’s album.
Justin Bieber and Megan Thee Stallion topped the list — released on Wednesday — with seven and six nominations respectively with both artistes also shortlisted for the ‘Artiste of the Year’ category.
This year’s edition of the annual event, which celebrates best music videos, will hold on September 12.
Below is the full list of nominees:
VIDEO OF THE YEAR
Cardi B ft. Megan Thee Stallion – “WAP”
DJ Khaled ft. Drake – “Popstar” (starring Justin Bieber)
Doja Cat ft. SZA – “Kiss Me More”
Ed Sheeran – “Bad Habits”
Lil Nas X – “Montero (Call Me By Your Name)”
The Weeknd – “Save Your Tears”
ARTIST OF THE YEAR
Ariana Grande
Doja Cat
Justin Bieber
Megan Thee Stallion
Olivia Rodrigo
Taylor Swift
SONG OF THE YEAR
24kGoldn ft. Iann Dior – “Mood”
Bruno Mars, Anderson .Paak, Silk Sonic – “Leave the Door Open”
BTS – “Dynamite”
Cardi B ft. Megan Thee Stallion – “WAP”
Dua Lipa – “Levitating”
Olivia Rodrigo – “Drivers License”
BEST NEW ARTIST, Presented by Facebook
24kGoldn
Giveon
The Kid LAROI
Olivia Rodrigo
Polo G
Saweetie
BEST COLLABORATION
24kGoldn ft. Iann Dior – “Mood”
Cardi B ft. Megan Thee Stallion – “WAP”
Doja Cat ft. SZA – “Kiss Me More”
Drake ft. Lil Durk – “Laugh Now Cry Later”
Justin Bieber ft. Daniel Caesar, Giveon – “Peaches”
Miley Cyrus ft. Dua Lipa – “Prisoner”
BEST POP
Ariana Grande – “Positions”
Billie Eilish – “Therefore I Am”
BTS – “Butter”
Harry Styles – “Treat People With Kindness”
Justin Bieber ft. Daniel Caesar, Giveon – “Peaches”
Olivia Rodrigo – “Good 4 U”
Shawn Mendes – “Wonder”
Taylor Swift – “Willow”
BEST HIP-HOP
Cardi B ft. Megan Thee Stallion – “WAP”
Drake ft. Lil Durk – “Laugh Now Cry Later”
Lil Baby ft. Megan Thee Stallion – “On Me (remix)”
Moneybagg Yo – “Said Sum”
Polo G – “RAPSTAR”
Travis Scott ft. Young Thug & M.I.A. – “Franchise”
BEST ROCK
Evanescence – “Use My Voice”
Foo Fighters – “Shame Shame”
John Mayer – “Last Train Home”
The Killers – “My Own Soul’s Warning”
Kings Of Leon – “The Bandit”
Lenny Kravitz – “Raise Vibration”
BEST ALTERNATIVE
Bleachers – “Stop Making This Hurt”
Glass Animals – “Heat Waves”
Imagine Dragons – “Follow You”
Machine Gun Kelly ft. Blackbear – “My Ex’s Best Friend”
Twenty-One Pilots – “Shy Away”
Willow ft. Travis Barker – “Transparent Soul”
BEST LATIN
Bad Bunny x Jhay Cortez – “Dákiti”
Billie Eilish & ROSALÍA – “Lo Vas A Olvidar”
Black Eyed Peas and Shakira – “Girl Like Me”
J. Balvin, Dua Lipa, Bad Bunny, Tainy – “Un Dia (One Day)”
Karol G – “Bichota”
Maluma – “Hawái”
BEST R&B
Beyoncé, Blue Ivy, SAINt JHN, WizKid – “Brown Skin Girl”
Bruno Mars, Anderson .Paak, Silk Sonic – “Leave the Door Open”
Chris Brown and Young Thug – “Go Crazy”
Giveon – “Heartbreak Anniversary”
H.E.R. ft. Chris Brown – “Come Through”
SZA – “Good Days”
BEST K-POP
(G)I-DLE – “DUMDi DUMDi”
BLACKPINK and Selena Gomez – “Ice Cream”
BTS – “Butter”
Monsta X – “Gambler”
SEVENTEEN – “Ready to love”
TWICE – “Alcohol-Free”
VIDEO FOR GOOD
Billie Eilish – “Your Power”
Demi Lovato – “Dancing With the Devil”
H.E.R. – “Fight For You”
Kane Brown – “Worldwide Beautiful”
Lil Nas X – “Montero (Call Me By Your Name)”
Pharrell Williams ft. Jay-Z – “Entrepreneur”
BEST DIRECTION
Billie Eilish – “Your Power” – Directed by: Billie Eilish
DJ Khaled ft. Drake – “Popstar” (starring Justin Bieber) – Directed by: Julien Christian Lutz aka Director X
Lil Nas X – “Montero (Call Me By Your Name)” – Directed by: Lil Nas X and Tanu Muino
Taylor Swift – “Willow” – Directed by: Taylor Swift
Travis Scott ft. Young Thug & M.I.A – “Franchise” – Directed by: Travis Scott
Tyler, The Creator – “Lumberjack” – Directed by: Wolf Haley
BEST CINEMATOGRAPHY
Beyoncé, Blue Ivy, SAINt JHN, WizKid – “Brown Skin Girl” – Cinematography by: Benoit Soler, Malik H. Sayeed, Mohammed Atta Ahmed, Santiago Gonzalez, Ryan Helfant
Billie Eilish – “Therefore I Am” – Cinematography by: Rob Witt
Foo Fighters – “Shame Shame” – Cinematography by: Santiago Gonzalez
Justin Bieber ft. Chance The Rapper – “Holy” –Cinematography by: Elias Talbot
Lady Gaga – “911” – Cinematography by: Jeff Cronenweth
Lorde – “Solar Power” – Cinematography by: Andrew Stroud
BEST ART DIRECTION
Beyoncé, Shatta Wale, Major Lazer – “Already” – Art Direction by: Susan Linns, Gerard Santos
Ed Sheeran – “Bad Habits” – Art Direction by: Alison Dominitz
Lady Gaga – “911” – Art Direction by: Tom Foden, Peter Andrus
Lil Nas X – “Montero (Call Me By Your Name)” – Art Direction by: John Richoux
Saweetie ft. Doja Cat – “Best Friend” – Art Direction by: Art Haynes
Taylor Swift – “willow” – Art Direction by: Ethan Tobman, Regina Fernandez
BEST VISUAL EFFECTS
Bella Poarch – “Build a Bitch” – Visual Effects by: Andrew Donoho, Denhov Visuals, Denis Strahhov, Rein Jakobson, Vahur Kuusk, Tatjana Pavlik, Yekaterina Vetrova
Coldplay – “Higher Power” – Visual Effects by: Mathematic
Doja Cat & The Weeknd – “You Right” – Visual Effects by: La Pac, Anthony Lestremau, Julien Missaire, Petr Shkolniy, Alexi Bailla, Micha Sher, Antoine Hache, Mikros MPC, Nicolas Huget, Guillaume Ho Tsong Fang, Benjamin Lenfant, Stephane Pivron, MPC Bangalore, Chanakya Chander, Raju Ganesh, David Rouxel
Glass Animals – “Tangerine” – Visual Effects by: Ronan Fourreau
Lil Nas X – “Montero (Call Me By Your Name)” – Visual Effects by: Mathematic
P!NK – “All I Know So Far” – Visual Effects by: Dave Meyers, Freenjoy Inc
BEST CHOREOGRAPHY
Ariana Grande – “34+35” – Choreography by: Brian Nicholson & Scott Nicholson
BTS – “Butter” – Choreography by: Son Sung Deuk with BHM Performance Directing Team
Ed Sheeran – “Bad Habits” – Choreography by: Natricia Bernard
Foo Fighters – “Shame Shame” – Choreography by: Nina McNeely
Harry Styles – “Treat People With Kindness” – Choreography by: Paul Roberts
Marshmello & Halsey – “Be Kind” – Choreography by: Dani Vitale
BEST EDITING
Bruno Mars, Anderson .Paak, Silk Sonic – “Leave tfsihe Door Open” – Editing by: Troy Charbonnet
BTS – “Butter” – Editing by: Yong Seok Choi from Lumpens
Drake – “What’s Next” – Editing by: Noah Kendal
Harry Styles – “Treat People With Kindness” – Editing by: Claudia Wass
Justin Bieber ft. Daniel Caesar, Giveon – “Peaches” – Editing by: Mark Mayr, Vinnie Hobbs
Miley Cyrus ft. Dua Lipa – “Prisoner”
Entertainment
Chidimma Adetshina makes history as first runner-up at Miss Universe 2024
Chidimma Adetshina, the newly crowned Miss Universe Nigeria, has made history by becoming the first runner-up at the 73rd Miss Universe pageant.
The grand finale of the Miss Universe 2024 beauty pageant ended in Mexico City on Sunday morning, with Miss Denmark Victoria Kjaer Theilvig taking home the crown.
Theilvig defeated Adetshina in the final, while contestants from Bolivia, Mexico, Venezuela, Argentina, Puerto Rico, Russia, Chile, Thailand, Canada and Peru also made it to the top 12.
Chidimma’s journey to the top was remarkable. She impressed judges and the audience with her thoughtful answers on diversity and human respect.
Initially, she made it to the top 30 finalists and gradually rose to the top five contenders, ultimately securing the top two spots alongside Theilvig.
Theilvig, however, took over the crown from Miss Universe 2023 Sheynnis Palacios of Nicaragua.
Chidimma’s feat means she is the first Nigerian woman to take the second spot — following in the footsteps of Agbani Darego was a contestant at Miss Universe 2001.
Darego became the first Nigerian to place among the top 10 semi-finalists, finishing seventh overall.
https://twitter.com/CableLifestyle/status/1857987496249815274?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1857987496249815274%7Ctwgr%5E6f4baa98497b7bf36b659efb90842ed7f77d2960%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Flifestyle.thecable.ng%2Fchidimma-adetshina-makes-history-as-first-runner-up-as-denmark-wins-miss-universe-2024%2F
Entertainment
Actress Tope Osoba begs for N12m for breast cancer surgery
Tope Osoba, the Nollywood actress, has appealed for financial assistance after undergoing her first breast cancer surgery.
Foluke Daramola, Osoba’s colleague, took to Instagram to share the actress’ plight.
According to Daramola, Osoba has already undergone one surgery but requires an additional procedure to remove the remaining particles from her breast. The second surgery is estimated to cost around N12 million.
Daramola shared a video of Osoba’s hospital examination, revealing that the actress has reached out to Bolaji Amusan, president of the Theatre Arts and Motion Pictures Practitioners Association of Nigeria (TAMPAN), for support.
“It’s one of our colleagues. She has breast cancer. She has had one surgery. But they said there are still some particles in her breast that need to be removed,” she said.
“She needs about N10/N12 million for her to be able to get back on her feet. She has already sent a letter to our president, Mr Latin. We are supporting her with what we can.
The post caption reads: “Behold the face of the colleague I told you all. She has gone through the surgery we didn’t get much but we appreciate you all. Her family members rallied around and we were able to pay for the surgery but we still hope for your support and help pls.
“This is her direct account details. Nothing is too small 0107515251 GTBank Tope Osoba God bless u all. A ni fi iru e gba loruko Jesu Amin.”
In another clip, Osoba expressed gratitude to those who have donated so far and pleaded for continued assistance to cover the costs of her second surgery.
“I want to say a very big thank you to everyone who supported me. I want to say a very big thank you to everybody who donated for me to go through my breast surgery. I want to especially thank sister Foluke Daramola for reaching out to people,” she said.
“I still need your help guys. Because there is still aftercare. Please guys show me love like you have always done. This is very important. I need to get back on my feet very soon. Do this for me for me as a birthday gift. Because my birthday is December 2nd. Please help me. I love you.”
Entertainment
Kunle Afolayan narrates how he once directed a movie he didn’t understand
Kunle Afolayan has revealed that he once directed a movie despite not understanding its storyline.
The filmmaker shared the surprising experience at the third edition of Kunle Afolayan Productions (KAP) Film & Television Academy’s Reel Circle, an initiative for film enthusiasts to learn from industry experts.
Afolayan, who identifies as a narrative director, said the film, an installation project, was unfamiliar territory for him.
The 50-year-old award-winning producer said despite his reservations, the person who referred him for the job — with a significant payment of $40,000 — convinced him not to back out.
Afolayan said he attempted to clarify the script with the producer and sought input from others but still struggled to grasp the plot.
He said he decided to focus on other aspects of the film, such as utilizing natural light in the museum where they filmed.
Afolayan admitted that he remains unclear about the film’s meaning even after completing the project.
Although he did not mention the title, the producer said he was flown business class to five countries for the film’s premiere in 2007.
“I was asked to direct something I know nothing about. I tried to like bail out but somehow I was convinced that I could do it. But I knew, I did not know what I was going to do. I did not understand the story. It is an installation film, even at the time I didn’t know what installation film was,” he said.
“Before I agreed to it, I read the script, I did not understand it. I called someone Biodun Aleja, may his soul rest in peace, he read it and said ‘this is crazy’ and then a few other people. I spoke to the person who introduced me to the project that ‘can I meet with the producer? Maybe if she shares her vision, I would get it’.
“Then he flew me to London and we sat for like two hours and she was talking. She showed me her showreel and I knew there was a problem because the showreel did not make sense. It was a complete abstract installation, people just doing weird things and I am a narrative director. Then I called the link and said ‘I am not doing this, I would not even know what to say’.
“But he was like they are paying you $40,000, you have to do it. I said okay but I was like let us do an adaptation of a scene but even with it I did not know what to adapt. But because Biodun Aleja was there, he studied Performing Arts, so his literature is stronger. I was like look, we have to find a way. They are flying us to Miami and Chicago, we cannot turn that down.
“They did this and we went, we filmed in like the oldest museum. I was the director and there were five trucks of equipments. It’s like someone throwing you into the ocean and asking you to start swimming. I am like I am the director, so I have to use that power. But then I have always wanted to shoot in a space where they have large windows, where I can have a ray of light.
“So I was focusing on other things, I did not understand the story. Up till now, after we shot the film, if I watch it again, I am like what was the story? There was no story but guess what? They flew me to five countries to premiere the film and they were flying me in business class since 2007.”
The academy also entered a partnership with the United States embassy in Nigeria to train aspiring filmmakers.
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